Film van AmigosPirotecnia.com
Review van Piroart.com
Mascletás cycle of the Fallas 2012 has come to Ecuador and made it the hand of Pyrotechnics Zarzoso Height (Castellón). By visiting the assembly minutes before the shooting, called attention to two things: the expected major earthquake (which occupied more than half the surface area fires) and the large number of ready digitized thunder around the perimeter of the square .
The mascletá had a risky start digital rhythms and a final flourish thunder formed by high-power multiple volcanadas. For all 20 positions available for digital shooting. And it was here that digital systems played a trick on the Height: some of the lines failed and not all effects turn out as planned because a couple of thunder broke an electrical box and a line. Things that happen. Still, relatively unscathed Zarzoso could leave the situation without it being noticed much. They were attentive and diligent to give fire, for example at hand, when they saw the digital left.
A fireworks set fire to the first of two aerial deductions made by thunder, streamers and whistles. Followed by a second in which the rate increased and the whistles were replaced by cicadas (a good decision to raise the intensity to this effect be more frantic than the preceding whistles). After this beginning was linked with the first digital choreography.
The show was scheduled in a rhythmic sequences (sounds of samba), formed by thunder willing in the long sides of the square patterned stroke of cicadas and whistles that alternated fronts east and west of it. The idea was good but the rhythms were not clear in their interpretation. We do not know if because of the complexity of these or the failure of some of the thunder but the understanding of the rhythms played was difficult. As already indicated in previous days, repeated several times simple compositions are easier to understand by the public than more complex shown in isolation. You have to think that the public has little time to understand what is happening, so we urge to make things simple and rhythmic music. However Zarzoso Pol Lara had much credit for the effort and the work he meant. That no doubt.
And there was silence. Technology played a trick and marking that should give way to the first check did not go as planned, leaving a gap clearly perceptible sound. As previously noted, a thunderbolt had cut the ignition of the following lines. Anyway, being the initial part of the show, this little pause was not of the severity that might have had in the final moments. And the fireworks were swift Height and quick to address this unexpected setback and set fire to the groups as they realized that digital was dead.
The body had five mascletá retention rope began slowly. It should be. The first drew attention in his mount on cards have thunder and traditional systems "canyeta". The air support was austere but precise, giving prominence to ground fire. Also it should be.
The entrance to the earthquake became apparent, not much, but it showed. This had been arranged along the square estopinado binding it with the last retention. This is fine. Another thing that Zarzoso praise this year is that the earthquake a fire came through the natural orientation of the same, ie from north to south. The fire comes from the fault (North) during the mascletá string and its natural evolution is to the south. Also this square, which is funnel-shaped or wedge, perfect accompaniment intentionality mascletá growing from less (North) at the (South), because the place opens. The Cathedral of the Day Fire seems to have been a good urban space for shooting premeditated mascletás. Thus, Castellon did very well in communicating fire mechanized so that it passed from the last groups to the first branch. This, certainly, we understand that it was much better than other years. And with that, the sound sense of mascletá respected. Very well, perfect.
The earthquake, we were saying, Vanzo to the south side where he turned to go back to central campus. Although apparently only had two passes, these amounted to four we are talking about the previous days, because the branches were mounted one after another in each of the past. We could speak of two rows of earthquake (single side), which were parallel to the arrangement of groups mascletero body, but with four different total lengths (and each more laden with branches).
In this earthquake was followed by a long bombardment of streamers, thunder, lightning streamers and again. As heading, Zarzoso members had prepared a very powerful thunder and volcanadas sequence that did not come out as they expected. The rotations of thunder broke down in the next post by failure in electronic systems due to the explosion of an electric thunder the perimeter. Anyway, we show that the amount of material was exactly the speed of rotation so high that these failures were virtually undetectable in the set. Thus, the strength and power of these lashes was sufficient to achieve its mission. A stroke of lightning in the air (on the west side and with some delay), ended the shooting. There was more, his brothers, which was not possible ignition by said cutting wires.
Let me conclude by noting that although not everything went as planned, is very worthy the great efforts being made Zarzoso to incorporate new technologies and systems in recent years offering risky and innovative performances each year. And certainly in later years will delight us with more elaborate spectacles and without the annoyance of the line breaks.
And there is only one thing to point extrapirotécnica but that has to do with the firm of height. This year, as each of the past for many, the firm devotes its mascletá to disabled people. Remember them in a special way by making a few gifts to those present in the area that the City Council narrows to them by the store for the guests of the fireworks. More than the gift itself, also, what is commendable is the dedication that makes Zarzoso people with severe physical or mental problems.
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