Mikel Pagola Erviti (Diario Levante-EMV)
Digital Close
From Bélgida, Aitana came with a prepared mascletá. Isabel Benavent and Juan Bautista Mollá brought, on paper, a trabajazo. They had everything clear. She told me, with great detail and with tremendous enthusiasm, development from initial fireworks until the final blow, digitized land. Such transparency (and trust tell me), is much appreciated. Often the pyrotechnic prefers to speak of "no surprises" if, eventually, something does not work exactly as expected and thus not being advertised, not missing, or at least can not be compared with the forecast that it is had. There was the case with Aitana. They were very clear.
Yesterday the beginning, as announced, was very well drawn. Aerial beginnings started, pretty and classic, were ruled by the cadence of the candles. It's like playing: pace, slow, is asking the mascletá remembering, they say, outputs, rockets and flying with this the old way. Now you can not shoot fireworks in the square by the problem that generate the subsequent fall of the rods to the public, candles fulfill this function very well as imitation of times. It's not the same but similar. Aitana to finish this, became a hit in red and thunder to switch to turn on the mascletá. The portion of land was adorned with colored discharges were scattered on the ground visually encouraging thing.
He also had air support on each side of the square. Above the fire going ropes hanging in coincidence sometime explosion was observed and therefore, an inevitable subsequent cupping. But most striking was that the entrance to the earthquake was too sudden: it was noticed too much. The thunder was flown, or exploding as he entered the fire and, with three branches that began too were noted.
Aitana what you do best but, as we always say, every mascletá out different. The estopinado grouper (mortising) run by the earthquake, saving countless folds leading to communicate the fire rappers almost makes fireworks ... The bombing that followed the terrestrial end it went well but digital ruts heading overlapped to it evidently. In my opinion this makes it coincides both, prominence remove the two: the entire digital work, which was very striking, is overshadowed a bit. That's right: double air strike and subsequent whip on the floor, across the square, as a final point, yes they were completely sealed.