Mascleta Pirotecnia Aitana - 07/03/2015

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The film thanks to Pirofan:

 

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Review en beeldmateriaal piroart.com

Review / Chronicle TARÍN SORIANO, VICTOR (PIROART.COM - portal pyrotechnics)

After a week of premieres has come the weekend and two old acquaintances in the lineup. Today it was the turn of Aitana, of Belgida. They presented a show at the line of what is shown in recent years. Undoubtedly the star of today was air fire which has been the star of the show even in times when their appearance should have been more restrained.

After the fireworks of rigor air booted home that sat in two phases. In the first are soaring volcanoes and colored streamers tueno notice. Besides the effect of the typical color of the streamers were also incorporated other volcanadas with red light without thunder. In the second part, the previously mentioned effects intensified and cicadas were added. Although the fire was right all this initial part was somewhat cold by the fact that the shots were very synchronized and all shots were produced in volleys.

Before turning to land a shot consisting of cicadas volcanadas Coloured and download thunder shot.

He spent here the first retention of the five that made up the main body of the mascleta. Throughout this part of the shot in which, as I have said on other occasions, the protagonist must be the fire ropes, air support such weight took longer accompaniment to become a problem.

Throughout this central part whistles were firing boxes on which threw volcanadas also whistles, streamers and thunder warning. All this from both sides of the square. While advancing the deductions ground with the corresponding burning thunder, Rastres and serpentine downloads. On several occasions the groups were matched, especially in the last two deductions. This effect has not been very evident because the powerful aircraft fire masked the sound holes which occurred at his feet. In the last two deductions were added in the air volcanadas cicadas and effects of cracker who recharged, the already powerful air starting today.

The earthquake, which was all planned with branches blown thunder, has entered strong. It had four passes that have been burned very fast and with great intensity. An air accompanying this phase by color volcanadas spread around the perimeter had been set. The funny thing is that his burning has been faster than the earthquake itself accompanied only the first two passes of the same.

The bombing has come late. It has begun directly with thunder accompanied with streamers. Before it was over has begun a long digital signature. Volcanadas of cicadas emerged from around the perimeter of the square accompanied by thunder rotations on the floor. When traditional bombing of thunder has ended and therefore the digital photo left alone, rotations on the floor, there has been a decrease in intensity.

In closing has launched a quick burst of volcanadas of cicadas followed a swollen thunderbolt with a final flick of thunder digitized land far distanced from the rest.

Mikel Pagola Erviti (Diario Levante-EMV)

Digital Close

From Bélgida, Aitana came with a prepared mascletá. Isabel Benavent and Juan Bautista Mollá brought, on paper, a trabajazo. They had everything clear. She told me, with great detail and with tremendous enthusiasm, development from initial fireworks until the final blow, digitized land. Such transparency (and trust tell me), is much appreciated. Often the pyrotechnic prefers to speak of "no surprises" if, eventually, something does not work exactly as expected and thus not being advertised, not missing, or at least can not be compared with the forecast that it is had. There was the case with Aitana. They were very clear.

Yesterday the beginning, as announced, was very well drawn. Aerial beginnings started, pretty and classic, were ruled by the cadence of the candles. It's like playing: pace, slow, is asking the mascletá remembering, they say, outputs, rockets and flying with this the old way. Now you can not shoot fireworks in the square by the problem that generate the subsequent fall of the rods to the public, candles fulfill this function very well as imitation of times. It's not the same but similar. Aitana to finish this, became a hit in red and thunder to switch to turn on the mascletá. The portion of land was adorned with colored discharges were scattered on the ground visually encouraging thing.

He also had air support on each side of the square. Above the fire going ropes hanging in coincidence sometime explosion was observed and therefore, an inevitable subsequent cupping. But most striking was that the entrance to the earthquake was too sudden: it was noticed too much. The thunder was flown, or exploding as he entered the fire and, with three branches that began too were noted.

Aitana what you do best but, as we always say, every mascletá out different. The estopinado grouper (mortising) run by the earthquake, saving countless folds leading to communicate the fire rappers almost makes fireworks ... The bombing that followed the terrestrial end it went well but digital ruts heading overlapped to it evidently. In my opinion this makes it coincides both, prominence remove the two: the entire digital work, which was very striking, is overshadowed a bit. That's right: double air strike and subsequent whip on the floor, across the square, as a final point, yes they were completely sealed.