Mascleta Hermanos Ferrández 13/03/2015

Kobajo

FPM Filmer
Review en beeldmateriaal van piroart.com

The great days of the holidays approach and the level in the square is already very high. After the brilliant performances in recent days, pyrotechnics Hermanos Ferrández Beniel (Murcia), it was difficult to surprise the increasingly large audience, but he has.

In mascletá submitted have particularly excelled digital effects triggered at the beginning and end for good design and flawless execution. Indeed, I would say that the first seconds of shooting, with sirens and thunder strokes have been truly brilliant.

The trip has begun directly with the digital. From the west side, opposite the Town Hall have emerged, shock, starting at the center and widening towards volcanadas sides of mermaids with red lights. Then one pass side by side the same effect, now green, then red again and again in green gaining speed. In closing, stroke of volcanoes from around the perimeter and three powerful thunder lashes in soil: East-West-East.

This has been followed volcanadas of whistles and cicadas with replicas of thunder in the ground. Were added streamers, first in shock and then rotations. All materials on this part was very good quality drawing attention as equal in height that were the shots.

After this tremendous openness, Beniel have continued firing from throughout the premises now with fans truenillo with cracker, alternating shots in the long and short sides also interspersed shots thunder.

Before turning to land from the north side has been a little more classic cut sequence which could have done without. Since the show has begun with such force and brilliance, with recent movements in the initial phase has lost some verve before entering the central body. In fact, any final hermetic has been around the digital part of cominezo, would have served to justify closure label with the "analog" added, there has been, or has not been sufficiently noticed.

On land, the fire has started with great force. All deductions had many Rastres streamers that undoubtedly have created a good sound basis but occasionally combining with thunder has been somewhat frantic. The intensity has not decreased at any time up strongly from withholding. This has become very clear when entering the sixth retention was charged with seventeen groups of five, but also reducing the delay of two seconds (from the three he had in the first retentions). This change of speed in the last terrestrial phase, plus all the thunder of larger caliber and equal, has been noticed.

Despite strong coming in that land mascletá end, the entrance to the earthquake was very abrupt. Was entered estopinado (which we prefer, yes), with five branches blown thunder. It has grown to six, seven and finally eight branches very powerful thunder in the last pass.

The bombing has been digitized from around the perimeter: whistles, streamers, air thunder and thunder fast rotations on the floor. The design and implementation has been very good considering the precise duration and growth just this part required for the voltage achieved in the earthquake is not diluted in endless comings and goings. It was not so with Ferrández Brothers, who aimed to offer something big, powerful and resounding and while certain. Very powerful without exaggeration (and yes, this could make may seem contradictory).

The final closure has been a tight, thunder resounding blow air-ground at once, boast precision, yes, perhaps has been too distanced in time from the rest of the set.

Technical Emotion

Clarified that the Ferrández Brothers have their factory in Beniel, Murcia, yes, but really are Alicante. House, come on. Yesterday again demonstrated that they are a fire axes in technology in modern pyrotechnics. The best thing they did, at a high level, was handling everything digitized. But beware, I do not mean just the ignition is easy. One thing to do fancy stuff with the keys, so to speak, and another that look or rather, namely showing them off. And another thing is to have ideas clear enough for what you do is also intelligible.

In other shots in this square we saw much power resulted in cables and igniters but perhaps no shot so clean in every way, as these Murcia-Alicante. To really worth sticking the trabajazo and expense involved in coating digitalizazo mascletá of fire, look clear and easy to understand choreography. Leo and Antonio Ferrández have this very clear and therefore played with sounds, rhythms and tidy and well defined strokes, repeating simple structures and complicándolas later. No they were changing the change.

But I insist that, for this to really shine, not worth to have these clear concepts, it is necessary that the material mainly shots and delay fuses ammunition are as perfect as possible. Brothers Ferrández leave us again impressed with the thoroughness with which manufactures its material: what presented yesterday at the 'Cathedral of fire' in the Region, or the Real Maestranza as they say Antonio, was off his hat. What cleaning, why exactly ... All the shots equal, identical heights, diving times ...

Two empty at the start and one final blow before he could afford to do, even longer than permissible apparently because he broke overwhelmingly with absolutely seals. By doing so, yeah that one can dilate silences all you want, or almost: only when you know you can apuntillarlos technically perfectly. Yes, the old fire string was clearly improved: the sixth retention and hit too rush and the entrance to earthquake noticed too much (Squib fast hyper). Both excessive. That must change. Especially compared with the special beauty that gives the piece a pyrotechnic so neat job he did this family in everything else. The delicacy in the implementation and operation of the devices makes the power not only impress but also excited, that's what we're looking for, and what happened yesterday.


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